Robot Ramen Bar, 2016, stills.
DOORCUTS — Zak Tatham
Exiting through a Doorcut is a cinch way to skip the middle-ground in travel. The traveler leaves their home though a door, she enters a door which enters a door, taking as many Doorcuts as possible. It may be transparent to access doors that fold space, linking alternate universes, but as the short-cuts are exploited hospitality closes an octo-edge door.
I lied, it was a flipcam and I modeled too intensely and now I dunno
I brought home a dead mp3 recorder because I found it really seductive and now I’m 3d modeling it to preserve it forever
holographic paper cranes
the virtual things that thus remain
PAPER CRANE VOL. 3 album cover. A collection of desiccated, sensual internet objects - cursor, internet explorer icon, folder, image icon, bin, eternally cast in holographic spraypaint
Cinema 4D, Photoshop.
VOIA — ALMOST HUMAN
glitched out with time effector
✎ g͏̭̞͉͕͇̣͙ŗ͍͉͈ee͓̠̤͚̩n̺͚s̸̞̲̯͓͉̯c҉͎̠̺r̦̤̻̝͓e͖͓̻̬̣̤e͝ͅn̰͟ ̰̹̻͈̺̺g̝͟l͎͔͉͕͚͓a̝̝̼̥̝̫m̺̳̣̭͘ó̟̱̦͓̞ù̻̝͓̤̜r̸̹̺̠͍
wake up feeling RGB
alpha matte so filagree
blog arranged in gradient hues
from dusty pinks to somber blues
-̜̯͓̮͎̫-҉̡͚̥̤͞ͅͅ-͕̙̹̹̼͇̗͇̻ ͏̷̘̰͓̖̯̹͠z̨͍͔̜̬͝z̨̰̤̣z̶̨̥͔͙̻̰t͈̰̟̻͈͡͡t̶̳͙͝ ̨̦̩͔̦̩̕ͅ-̛̯̻͎̞̘̱͠-̨̻̩̱̲̟-̴̖̘͓̠̘͍̱
wake up feeling CMYK
printer inks in disarray
a desaturated kind of mood
doing roto in the nude
feeling high, feeling low
when your data doesn’t glow
pixels stumbling, stuttering across –
fingers poised and at a loss
feeling glitch-kitsch,
image so ruby-colour-rich
text emboldened, dreaming of memes
girl embossed in dirty greenscreen
wondering if the RAM is ok
my render’s taking ages to play
just want my comp to look photorealistic
not like it’s been attacked by pritt-stick
// you know when you’re watching shit on netflix
sitting on your bed in your pjs with a bag of fruitmix
and the goddamn movie just won’t buffer
and you’re like, could my day get any rougher //
some distortion in the code
a setting switched off in the node
the glitch in the machine
the glamour of greenscreen
you know, when you
[ loop-repeat ]
Nuke compositing practice - keying greenscreen, colour grading etc.
// You used to call me on my cellphone, late night when you need my love //
An experimental project in Cinema 4D, playing with installation, hair/fur, the juxtaposition of tangible materials and weird domestic objects. I had this scene in my head of a figure lying head first in an office space on a desk, long bluish hair stretching across the table and coming into contact with the floor. An abject space.
when u don’t wanna work but can’t bring yourself to procrastinate
